| Keywords: | Tatar literature, peoples of Russia, culture, motf, prayer, myth
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| Abstracts: | The article is devoted to the semantics of the religious and mythological motif of prayer/supplication in modern Tatar literature (the end of the 20th century – beginning of the 21st century) in Tatar and Russian as the reflection of the beliefs of the Turkic peoples in general and the Tatars in particular. The research focuses on the mythopoetics of the works of modern authors (M. Magdeev, R. Mukhamadiev, F. Gilmi, M. Valeev, N. Gimatdinova, F. Bayramov), who continue the tradition of addressing religious motifs and images in the creative heritage of classical Tatar literature (Kul Gali, S. Sarai, Mukhammedyar, etc.). The peculiarity of the modern appeal to the motifs of Prayer and Supplication is represented not only in the depiction of religious ritual practice (“namaz”, “dua”, “salavat”, “zikr”, “nikyah”, etc.), but also in the expression of various feelings, emotions and human states (hope, admiration, praise, gratitude, repentance, etc.). In addition, the mythological motif of Prayer is an important, enriching element of both the image of the cultural and religious life of the people, its history, and historical memory, the connection of generations. The results of the analysis are applicable in theoretical works on religious symbolism in literature, as well as during training sessions when studying the system of images of a literary text.
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| The contact details of authors: | Шаряфетдинов Рамиль Хайдярович – кандидат филологических наук, доцент кафедры русской литературы XX–XXI веков Института филологии Московского педагогического государственного университета, г. Москва, Россия, https://orcid.org/0000-0002-2311-3820, rkh.sharyafetdinov@mpgu.su
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