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Metadata (abstracts and keywords) for the articles in the journal

E. G. Lugovskaya TOPOLOGY OF THE LYRICAL IN THE POETIC TEXT “GIRAFFE” OF N. GUMILEV // I. YAKOVLEV CHUVASH STATE PEDAGOGICAL UNIVERSITY BULLETIN. 2024. № 4(125). p. 78-89
Author(s):E. G. Lugovskaya
Index of UDK:81.161.1’22’42:82-14Гумилев
Index of DOI:10.37972/chgpu.2024.125.4.010
Name of article:TOPOLOGY OF THE LYRICAL IN THE POETIC TEXT “GIRAFFE” OF N. GUMILEV
Keywords:

synergetic analysis, sign, model of the sign system, iconicity, indexality, symbolisity of the sign, topology, poetic text, lyrical, figure and background, N. Gumilev

Abstracts:

Synergetics is an interdisciplinary direction in natural phenomena research and processes based on the principles of self-organization of systems. Synergetics offers its own terminological and methodological apparatus for describing any self-organizing systems. At the same time, the question arises about the metalanguage of science as a whole, which would ensure the transparency and comprehensibility of proficient scientific results. More and more researchers in the socio-humanitarian sphere are turning to the theory and methodology of mathematics and its language to solve this problem. Topology is a mathematical term indicating the elucidation of the idea of continuity within the framework of a homeomorphism like the general idea, and the concept of topological invariant generated by homeomorphism is organically projected onto the description of the space of language/speech. The relevance of this study is determined by the attempt to observe the text from the spheres of linguistic and linguoculturological, semiotic and systemic based on a synergetic approach to the text as an open collection of elements, using the concept of topology. The research material is the poetic text “Giraffe” by N. Gumilev. The author uses complex linguo-stylistic analysis, hermeneutic and rhetorical analysis elements, and linguo-culturological, semiotic, and synergetic approaches to study and interpret the text. The topology of the lyrical is assertive for the poetic text. The lyrical hero is discovered in the verse by its three hypostases – lyrical I, lyrical You and lyrical It, where the Giraffe – is a synecdoche of the external and internal Cosmos as a place, time, reason and circumstances of the dialogue between the lyrical I and You.

The contact details of authors:

Луговская Елена Григорьевна – кандидат филологических наук, доцент кафедры русского языка и межкультурной коммуникации Приднестровского государственного университета им. Т. Г. Шевченко, г. Тирасполь, Молдова, https://orcid.org/0000-0001-7348-2248, lugowska@spsu.ru

Pages:78-89
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